In the 17th and 18th centuries the name Bach was synonymous with fine musicmaking: Johann Sebastian, certainly the biggest twig on the family tree, was both preceded and followed by many accomplished and well known musicians, some of whom were in the service of royalty. It is easy to understand, therefore, why the Bach clan was loath to admit the existence of a member who was called a “pimple on the face of music,” “the worst musician ever to have trod organ pedals,” “the most dangerous musician since Nero,” and other things not quite so complimentary. They even started a rumor that P.D.Q. Bach, without a doubt Johann Sebastian’s last and least offspring, was not really a member of the Bach family—the implication being that he was illegitimate, or, even better, an imposter. Although P.D.Q. Bach was born on April 1, 1742 and died on May 5, 1807, the dates on his first tombstone (before he was moved to an unmarked pauper’s grave) were inscribed “1807-1742” in a transparent attempt to make it appear that he could not have been the son of J.S., who died in 1750. Nice try, Bach family—close, but no cigar: some of us, or at least one of us, are not fooled, or at least, is not fooled. --Peter Schickele, the Peter Schickele/PDQ Bach Web Site.