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The Carbon Calculation examines how climate science, the policy world, and neoliberalism have mutually informed each other to define the problem of climate change as one of "market failure"--precluding alternatives to market-based solutions. Focusing on REDD+ (Reducing Emissions from Deforestation and Forest Degradation), the book demonstrates how industrialized countries are able to maintain their socioeconomic models largely unaltered while claiming to address global warming using forests in the Global South to offset their pollution. By examining the creation and implementation of REDD+ historically and ethnographically, the book traces the social life of this mechanism as it travels across a complex network spanning several interacting levels: international, national, and local. Through cases in the Brazilian state of Acre and the Zambézia province in Mozambique, the author demonstrates how global climate policy has created new opportunities and rationales for unprecedented levels of intervention in the Global South--all under the guise of saving the planet. The Carbon Calculation critically highlights the ways in which politics has reinforced a scientific focus on one possible solution to the problem of climate change--namely those that largely absolve the industrialized world from undertaking politically painful transformations in its own economic model.
Institutions in Recife, Brazil, have restructured subsidies in favor of encouraging musicians to become more entrepreneurial. Falina Enriquez explores how contemporary and traditional musicians in the fabled musical city have negotiated these intensified neoliberal cultural policies and economic uncertainties. Drawing on years of fieldwork, Enriquez shows how forcing artists to adopt "neutral" market solutions reinforces, and generates, overlapping racial and class-based inequalities. Lacking the social and financial resources of their middle-class peers, working-class musicians find it difficult to uphold institutional goals of connecting the city's cultural roots to global markets and consumers. Enriquez also links the artists' situation to that of cultural and creative workers around the world. As she shows, musical sponsorship in Recife and the contemporary gig economy elsewhere employ processes that, far from being neutral, uphold governmental and corporate ideologies that produce social stratification. Rich and vibrant, The Costs of the Gig Economy offers a rare English-language portrait of the changing musical culture in Recife.
In The Politics of Public Debt Daniel Bin analyzes how fiscal and monetary policies and the administration of public debt related to class, labor, and democracy during the period of neoliberal financialization in Brazil. Sustained by state action, the politico-economic context allowed the establishment of a macroeconomic framework that favored finance capital. It was characterized by the expropriation of workers' incomes through a system involving public debt and taxation, capable of deepening labor exploitation. Decisions about public debt and related policies are analyzed in terms of their implications for economic democracy. The book raises the hypothesis that the 2016 coup within the Brazilian capitalist state sought to overthrow the political forces that were no longer able to administer this model.
Full text of scholarly business journals covering management, economics, finance, accounting, international business and other business-related disciplines.
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